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For example, if you are shooting portraits you could set the profile to Portrait and White Balance to Cloudy to give your portraits a pleasing warm color cast. Color profiles and White BalanceĬolor profiles work together with the White Balance setting on your camera to control the colors in your photos.
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My article, How to Convert Photos to Black & White in Lightroom explains how to convert your photos to black and white in Lightroom in more detail. The best way to convert a photo to black and white in Lightroom is to go to the Basic Panel and set Treatment to Black & White. Again, these are designed for JPEG shooters and are not much practical use for Raw users. Most cameras have several black and white (or monochrome) color profiles.
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See the difference that makes to the skin tones? Which looks more natural? This is why it’s so important to set the profile first. Now change the profile to Landscape (or Velvia for Fujifilm).
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To see why, select a portrait in Lightroom, go to the Camera Calibration panel and select the Portrait profile (Fujifilm users can use the Camera Pro Neg.
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I recommend that you go to the Camera Calibration panel before you do anything else and select the profile you want to use first. The only problem is that Color Profile is one of the most important settings in Lightroom. That is, you start at the top in the Basic panel and work your way down to Camera Calibration. Some people recommend a top-to-bottom workflow in Lightroom’s Develop module. The other profiles are Adobe Standard (present for all camera types) and those that came with a set of VSCO presets I purchased. The profiles in the red square emulate the camera’s built-in Picture Styles. These are the options presented in Lightroom for photos taken with my Canon EOS camera. Black and white profiles are only available for newer cameras. The options you see depend on the camera used to take the photo. If you go to the Camera Calibration panel in Lightroom and look at the Profile menu you will find a list of your camera’s available color profiles. If you use Raw then it doesn’t matter which color profile you select as you can change it late in Lightroom (or ACR). If you use the JPEG format, it’s important to choose the most appropriate profile as you cannot change it afterward in Lightroom. In-camera color profiles are really designed for JPEG users. Check out The dPS Ultimate Guide to Getting Started in Lightroom for Beginners for more help. You can enable color profiles both in-camera and in Lightroom. This Film Simulation setting works well for landscape photos. This image was taken with the Fujifilm Velvia color profile. This new approach to color profiles is one of the features that sets Fujifilm cameras apart from the competition. As a result, Fuji color profiles are more nuanced and subtle than those made by the other manufacturers.
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They are listed below:įujifilm’s approach is interesting because they have named their profiles after genuine film types. I’m using the term color profile deliberately because every manufacturer has a different name for it. Then manufacturers started adding color profiles to their cameras. You could adjust parameters like contrast and saturation if you knew where to find the menu option, but there was no easy or straightforward way of doing so. When digital cameras first became available, all photos looked the same when it came to color. A portrait photographer, on the other hand, might use a film like Kodak Portra to create portraits with softer, more subtle colors. A landscape photographer might use Fujifilm Velvia, a slide film that produced high contrast, deeply saturated images perfect for landscape photography. Why do cameras have color profiles?īack before digital photography, when everybody used film, it was common practice to select a film that suited the subject being photographed. This photo was taken with the Canon Portrait Picture Style color profile which is ideal for portraits.